The 200th Cutting Board, 5th Time ‘Round

The 200th Cutting Board, 5th Time ‘Round 6 comments

The biggest event of the year for us has, for the last 2 years, been Santa’s Art Shop in Ridgecrest. That event – its 35th annual – is this weekend, so I have been working long hours to get the inventory in shape for the big event.

Long hours.

And, since the inventory is growing again (and during our busiest month, too!), I am pleased to announce my 200th cutting board. This is only the 5th time that I have had that number of boards in inventory … and, as always, the number will be a fleeting memory by Saturday. In the meantime, however, it’s time to celebrate the accomplishment. Here’s the story of this unusual board.

After my years of a Cub Scout being square, I’ve seldom made square boards. It’s an occasional request, though, and I do like to show different kinds of boards to get the customers’ creativity flowing when they visit the booth.

This square, edge grain board features 6 kinds of wood:

Jatoba – AKA Brazilian Cherry
Hard Maple – which is in almost every cutting board I make
Cherry – AKA American Cherry or Black Cherry
Purpleheart – the # 1 commented upon wood in my booth, and these pieces with quilted grain will continue that tradition
Bubinga – I love using it because it’s just fun to say
Bloodwood – delightful fluorescence in these pieces

One of my current challenges in lumber supply is finding one of my favorite cutting board woods, Jatoba, in 8/4 thickness (that’s 1-3/4″ thick, sanded smooth, to you non-lumber types). The wood is commonly available in 4/4 thickness (3/4″), but rarely in the dimension I need for my thickest, big cutting boards. I did find some 8/4 earlier this year, and this board uses the last of it.

Bloodwood is crimson colored, and it’s the most challenging wood that I currently work with. It seems that every piece – every piece – is warped: bowed, twisted, cupped, or some combination of all of those.

Every piece.

It’s been said that woodworking is the art of solving problems, and it’s certainly true that using Bloodwood is one of those challenges that I face. But, I enjoy the work, and I always let the results speak for themselves.